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Bursts of Acclamation

Ralph Vaughan Williams: Organ Music and Transcriptions
Henry Ley: Fantasia on Aberystwyt

In 1890, Ralph went to the Royal College of Music, where he studied harmony and composition and had organ lessons from Sir Walter Parratt. He moved to Trinity College Cambridge in 1892. Attendance at Chapel was compulsory, and Ralph was sent for. “I did not see you in chapel this morning, Mr Vaughan Williams”. “No Sir”. “Perhaps, however, you were in the organ loft?” “Yes Sir, I was”. “Well, you can pray as well in the organ loft as in any other part of the chapel”. “Yes, Sir – but I didn’t”.

Bursts of Acclamation
CRITICAL REVIEWS

VAUGHAN WILLIAMS
Organ Music and transcriptions
LEY
Fantasia on Aberystwth
David Briggs (organ)
Albion ALBCD22

This issue will naturally be a goldmine for organ buffs, yet it has been expertly devised to have a wider appeal. With one exception, most of the original works are non-vintage Vaughan Williams: he was a dab hand at small-scale organ preludes and occasional pieces, and a good selection of those is here. The exception is the Prelude and Fugue in C minor – composed for formidable master-organist Henry Ley, and easily impressive enough to stand alongside other classic works of its kind in the repertory. At least as interesting, meanwhile, are the various organ transcriptions of Vaughan Williams’s music by others. John Francis’s booklet note points out that the composer’s early years as working organist in London (at St Barnabas, South Lambeth) may well have coloured his mature orchestral style, with its long-sustained, widely spread chords and powerful sense of acoustic space. The transcriptions of the Sea Symphony andLondon Symphony slow movements (by Henry Ley) and the Tallis Fantasia (by Peter Beardsley) sound convincingly idiomatic in their way, and also beautiful. Briggs’s concern to avoid organ-dirge syndrome, admirable in itself, leads him to undercut some of the music’s space and grandeur at special moments: the great climax of Largo sostenuto from A Sea Symphony, or the Tallis Fantasia’s space-generating opening chords, surely pass by a little too swiftly. In every other respect his command and musicians are state-of-the-art.
Malcolm Hayes
BBC Music Magazine

PERFORMANCE ????
RECORDING ????
…Playing on the 1912 Walker organ of the Sacred Heart Church, Wimbledon, David Briggs plays with great refinement, reserving full power for the most apposite moments, such as the Antiphon, but always phrasing with care and sensitivity. Albion also provides one of their sumptuous booklets, packed with information and with full organ specifications. This is an excellently produced set, opening up under-explored vistas, and with it Albion Records adds handsomely to its already important Vaughan Williams portfolio
Jonathan Woolf
MusicWeb International

 

…Nominated Critics’ Choice by Gramophone reviewer Christopher Nickol as his CD OF THE YEAR.

 

…The lion’s share of the transcriptions goes to Henry G Ley, Vaughan Williams’s professorial colleague at the RCM in London. The London Symphony‘s slow movement is beautifully moulded and although, initially, I had my doubts over A Sea Symphony sans Whitman, this also is highly effective. Fittingly, Ley’s own fineFantasia on Aberystwyth of 1928 is included. His concluding transcription of the ‘Antiphon’ (from Five Mystical Songs) provides the final Burst of Acclamation – ‘those loud triumphant chords’ concluding this triumph of musicianship.
Malcolm Riley
Gramophone

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TRACK LISTING AND ARTISTS

CD 1

  • Prelude ‘The New Commonwealth’ 2:29
  • Overture: The Wasps (transcribed David Briggs) 10:03

TWO ORGAN PRELUDES FOUNDED ON WELSH FOLK SONGS:

  • Toccata ‘St. David’s Day’ 2’09
  • Romanza ‘The White Rock’ 2’26

TWO MOVEMENTS FROM THE SUITE FOR VIOLA AND SMALL ORCHESTRA
(transcribed Herbert Sumsion):

  • Carol 3’06
  • Musette 4’34
  • A Wedding Tune for Ann (edited Christopher Morris) 2’23
  • Wedding Canon for Nancy 2’13
  • Fantasia on Aberystwyth (Henry Ley) 8’56
  • Largo Sostenuto from A Sea Symphony (transcribed Henry Ley) 11’46
  • Prelude and Fugue in C minor 9’59

Disc 1 total playing time: 60’06

CD 2

THREE PRELUDES FOUNDED ON WELSH HYMN TUNES:

  • Bryn Calfaria 3’33
  • Rhosymedre 4’24
  • Hyfrydol 2’30
  • Fantasia on a Theme by Thomas Tallis (transcribed Peter Beardsley) 16’34
  • Dirge for Fidele (transcribed Alec Rowley) 4’34
  • Passacaglia on BGC 5’52
  • Fantasia on Greensleeves (transcribed Stanley Roper) 3’16
  • Land of our Birth (Song of Thanksgiving) (transcribed Stainton de B Taylor) 4’11
  • Alla Sarabanda (Phantasy Quintet for Strings) (transcribed Henry Ley) 3’21
  • Slow Movement from A London Symphony (transcribed Henry Ley) 11’42
  • Antiphon – Let all the World (transcribed Henry Ley) 3’02

Disc 2 total playing time: 63’00
Album total playing time: 123’06

ARTISTS

David Briggs plays the organ of Sacred Heart Church, Wimbledon

© THE RALPH VAUGHAN WILLIAMS SOCIETY   |   ACKNOWLEDGEMENTS AND COPYRIGHT   |  LEGAL

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